![]() Wordsworth was one of the first Romantic poets to reinvigorate the sonnet form, following the proto-Romantic Charlotte Smith (1749-1806), who helped to make the sonnet popular after more than a century of neglect. ‘Earth has not anything to show more fair’. The poem argues that nature is a better teacher than any textbook or classroom. This quotation (and quatrain) is from ‘The Tables Turned’, a Wordsworth poem included in the 1798 Lyrical Ballads. Nor harsh nor grating, though of ample power Of thoughtless youth but hearing oftentimes This is another quotation from Wordsworth’s ‘Tintern Abbey’ poem, in which nature plays a key part: Indeed, childhood is a sacred estate which we should leave behind with reluctance, Wordsworth believes. This quotation, from the rainbow poem quoted above, distils one of the key ideas of the Romantic movement: childhood experiences are formative for us, and help to create the adults we grow up to be. This quotation is from a short poem Wordsworth wrote about the beauty of the rainbow, although the rest of the poem acknowledges the role that childhood plays in making us the adults we become. It is one of Wordsworth’s most powerful critiques of the Industrial Revolution and the materialist world of ‘getting and spending’. We have given our hearts away, a sordid boon! Getting and spending, we lay waste our powers The world is too much with us late and soon, I hope that these sea quotes provided some inspiration to fill your lungs with salty air, or perhaps helped to complete that perfect Instagram post! Don’t forget to tag us on Instagram if you use any of them – we love seeing your photos and sharing them!ĭo you have a favourite sea quote or ocean musing on this list? Or are there any we’ve missed?! As always, leave us a comment and let us know what you think.These are the opening words of a sonnet Wordsworth wrote in around 1802, and published in 1807: “I love you more than there are grains of sand on the beach, fish in the sea, and waves in the ocean.”įinal Thoughts on the 150+ Best Sea Quotes. ![]() “As the ocean is never full of water, so is the heart never full of love.”.“You are not a drop in the ocean. You are the entire ocean in a drop.” – Rumi.“If you want to know how much I love you, count all the waves in the sea.”.With 321,000,000 cubic miles, or around 352 quintillion gallons, of water in our oceans and seas, this first ocean quote seems pretty spot on! Staying on the surface all the time is like going to the circus and staring at the outside of the tent.” – Dave BarryįIND MORE INSPIRATION: 101+ Dream Destinations for your Travel Bucket List Ocean Quotes and Sayings “There’s nothing wrong with enjoying looking at the surface of the ocean itself, except that when you finally see what goes on underwater, you realize that you’ve been missing the whole point of the ocean. ![]() Nature in general can do so.” – Henrik Ibsen “The sea possesses a power over one’s moods that has the effect of a will.“For whatever we lose (like a you or a me), it’s always our self we find in the sea.” – E. E.“And the sea will grant each man new hope, as sleep brings dreams of home.” – Larry Ferguson.“The sea does not like to be restrained.” – Rick Riordan, The Lightning Thief.I found it on the sea.” – Alain Gerbeault ![]()
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![]() The Yellow Warbler isn’t alone in being a warbler that is yellow, which can be the cause of some confusion. Yellow Warbler, like the Common Yellowthroat is another common breeding species in the Great Lakes that also shares its fondness for wetlands and shrubby edges between habitats. The female lacks this mask and can sometimes be confused with other drab warbler species with yellow throats, such as the Palm Warbler and Nashville Warbler.įemale Yellow Warbler carrying nesting materials. ![]() ID tips: The Common Yellowthroat has one obvious ID mark: its yellow throat! Both the male and female have this feature, but the distinct difference to look for is the black mask of the male. The Common Yellowthroat is a common breeding bird species in the Great Lakes region. The Common Yellowthroat’s “ witchity-witchity-which!” song often gives it away when it might be otherwise hidden in the reeds. Photo: Gary RobinettĪlthough we often associate warblers with woodlands, the Common Yellowthroat is a bit different, as a warbler of the wetlands and grasslands. In its first year, the young males look similar to females but can be singled out by patches of black or orange feathers growing in.Ī female and male Common Yellowthroat Warbler. The female has gray and yellow where the male is black and orange. ID tips: Both male and female American Redstart have the same plumage pattern but with different palettes. It is thought that bristles like this help guide flying insects into a bird’s mouth, while protecting the bird’s eyes from flying food. If you ever get a close-up view, you may get to see that this bird has tiny bristles that look like whiskers around its beak. ![]() In addition, the American Redstart more frequently catches insects on the wing, like a flycatcher. The bold black and orange plumage of the adult male American Redstart is unique among Eastern North American warblers, and so is the tail fanning behavior seen in both sexes. The American Redstart tends to be an iconic warbler species in eastern North America since they stand out from other warbler species for a number of reasons. These warblers are almost constantly bobbing their tails up and down while foraging, which makes it unique among warblers.Īn adult male American Redstart displaying tail-fanning behavior Photo: Tom Warren/Audubon Photography Awards The best way to spot a Palm Warbler is by its tail wag. Look for the rusty cap, yellow throat and yellow patch underneath the tail. ID tips: Palm Warblers can be a little tricky for beginning birders because they tend to be relatively drab compared to other warblers. ![]() The Palm Warbler breeds in coniferous bogs in the boreal forest during the summer, so perhaps if it were ever renamed then “Bog Warbler” might be a suitable option. They are another early arriver like the Yellow-rumped Warbler. Palm Warblers migrate through the Great Lakes region in droves and are typically found foraging on the ground during migration. Photo: Constance Parry/Audubon Photography AwardsĪlthough we don’t have any palm trees in the Great Lakes, we can find plenty of Palm Warblers. Yellow-rumps will forage high and low in the canopy and sometimes even on the ground. ![]() The adult male has a black mask, which tends to be paler in the female. ID tips: The Yellow-rumped Warbler is spotted by its bright yellow rump patch, yellow “armpits” and bluish-gray back. Otherwise, most travel to the southeastern part of the US, Mexico, and Central America. Most warblers specialize on insects but the Yellow-rumped will also forage on fruit, sap, and suet, which allows a few individuals to regularly overwinter in our region. Yellow-rumps are hardy and can be more flexible in their diet compared to other warblers. The Yellow-rumped Warbler is almost always the first warbler to arrive in the Great Lakes region in spring and the last to leave in the fall. The Yellow-rumped Warbler is not only one of the most common warbler species encountered during migration in the Great Lakes region, but it is also purportedly one of the most abundant bird species in the world! Its population size is estimated to be around 130 million individuals, so it’s no wonder that during migration, these birds tend to dominate. Photo: Michelle Detering/Audubon Photography Awards Practice looking for these five species and their unique traits and behaviors and you’ll be a warbler whiz in no time!Ī male Yellow-rumped Warbler. If you’re just starting to learn these diverse and colorful gems as they are migrating through our region this spring, we recommend starting with some of the most common species you’re likely to encounter. Warblers, with their many varieties and their ability to quickly dash in and out of foliage, can be tricky to learn for the beginning birder. ![]() ![]() ![]() There really wasn’t ever a question of could I do it in Mississippi. When did you realize you could pursue your dream from Mississippi? I’m really, really proud of what has been going on recently. We don’t necessarily mandate how you work with us. Sometimes that means coming on board as a full producer or executive producer, or just general counsel to kind of help navigate the waters of the film incentive. Sometimes that just means renting equipment. That’s how we grow as an industry in Mississippi, to take as good of care of everybody as we can. You have to treat people well and make sure that they want to come back. The most important thing for me, I just want to make sure that anybody that wants to shoot in Mississippi has the best experience they can. Eyevox is kind of more about the producing side and working with producers from all over the world that want to come in and make Mississippi the home for their next entertainment venture. Mad Genius has a full production arm with a grip truck, generator, cameras, and a studio with a production crew. And then just this year we opened a board game bar called Dogmud Tavern in Ridgeland.īut as far as film is concerned, that’s Eyevox and Mad Genius. And I also started Certifiable Studios, which is a board game company in 2015. ![]() Then I also had The Screen Engine, which was an animation studio down in Florida, for about five years, and then made a run with Mississippi Film Studios here in 2000, until the incentive changed. They were separate companies at the time, and then I kind of put them all together and then opened up a branch in 2008 for Eyevox Entertainment. Then I moved on to various jobs in freelancing with ABC, ESPN and HBO for sporting events.īut in ’97, I started my own company, Sights and Sounds, which later became Eyevox in 2000.Īnd that’s where my various companies just kind of started to spawn. I worked there as a cameraman originally and then started directing the news and producing commercials. I worked my way through college, and ever since I was a junior in high school, at Channel 16. What led to the founding of Eyevox and your other ventures? It’s a real thrill to see the end result of your work hitting the screen finally.īut right now, I would say that I’m more positioned to help others find their passion or help fulfill their dreams. I can’t really say that I thought one day, “Hey, I want to be a filmmaker.” I like the idea of connecting with the viewer. The bigger picture was to get a camera and a truck and then I started hiring people, because the most important thing for me was wanting to surround myself with more talented people than myself. Back then, I just really was a one-man band. Then I started my company and worked with some great organizations like Entergy and Primos. I started producing commercials and did everything I could to take good care of the clients I was able to work with. He designed it and was the first general manager for Channel 16 back in the early seventies.īut honestly, I can’t recall making a decision that this is what I wanted to do for a living. How did you develop your interest in working in film and TV production? And then I went to college at Mississippi College, where I got my undergraduate in business administration, with a concentration and finance and marketing. I grew up there and went to Clinton High School. Where are you from originally and where do you go to school? Through Eyevox, Moore has been a producer and production partner on several shot-in-Mississippi film projects, most recently the 2021 horror film “Jakob’s Wife” and the soon-to-be-released thriller “Glorious.”Īnd Eyevox is partnered with several films currently in production, including the Morgan Freeman-starring thriller “The Minute You Wake Up Dead,” which is currently shooting in Canton the horror film “From Black,” now underway in Natchez the action film “Hunt Club” starring Mickey Rourke, beginning principal photography in Wiggins and the sci-fi thriller “Hard Matter,” which will begin production soon on the Mississippi Gulf Coast. It’s the film production branch of Mad Genius, the advertising firm he founded in 2005. Rick Moore is president of Eyevox Entertainment in Ridgeland. ![]() ![]() Instead, users can “point-and-click” to create games much easier and faster than coding with native languages. Unlike most gaming engines, the GameMaker Studio game engine has become widely used because it doesn’t require programming knowledge to use. Unity is supported on iOS, Android, Windows Phone, Tizen, and Fire OS. ![]() It’s a cross-platform engine that gives the user access to the Unity store: a place where assets can be used for your game. Nearly half of the mobile games being made today have used Unity as their gaming engine. These features include beta access, game performance reporting, customizable splash screens, a team license, and more. The problem is that the Professional Edition, which has a host of excellent tools, requires that you pay a monthly fee. Drawbacks of Using Unity as a Gaming Engine This video game engine is available with all its features and can (for the most part) be used to make games on every platform. One of the best things about this popular popular game engine, is that is a free. Recent notable titles made with Unity include Lara Croft Go, Her Story, Pillars of Eternity, and Kerbal Space Program. From the best open-source game engines to the best engine for 2D games, Unity has everything covered.Ī lot of indie developers use Unity for its excellent functionality, high-quality content, and ability to be used for pretty much any type of game. The Unity multi-platform game engine that allows you to create interactive 3D content with ease. Unreal is on Xbox One, PS4, PC, iOS, Android, Mac OS X, Linux, and VR. However, there are other engines available that are easier for new designers. The latest version, Unreal Engine 4, is said to be the easiest game engine to use when in the hand of a professional. The strength of the Unreal Engine is its ability to be modified enough that games can be made into very unique experiences. Notable titles made with Unreal Engine include the Gears of War series, Mass Effect series, Bioshock series, and the Batman: Arkham series. The original version was released in 1998 and 17 years later it continues to be used for some of the biggest games every year. One of the most popular game engines present in the industry today is the Unreal Engine by Epic Games. So, let’s take a step back and look for the best game engine for beginners. Finding your way through a gauntlet of gaming engine software options can be a daunting mission. It’s easy to get hung up on the technicalities of video game development. With that being said, let’s find out which is the easiest game engine to learn. This requires using application interfaces like DirectX, OpenGL, and XNA as well as commercial and open-source libraries containing physics, scene graphs, and GUI libraries.Ĭreating a gaming engine is no easy task but sometimes necessary if the game is different enough that no existing engines will work. That being said, there are still plenty of large companies and even indie teams that create their own proprietary engine. If everyone made their games from scratch without the help of excellent game development engines, games would take longer and be more difficult to make. This gives them more time to focus on the unique elements like character models, textures, how objects interact, etc. Game engines are reusable components developers use to build the framework of the game. ![]() Overall, we can quickly introduce the concept of gaming engines as being facilitators, providing game developers with tools to cut down development time. and more without the need to program them.A Great, if Not, the Best Game Engine for BeginnersĪ game engine is an architecture that developers use to run a game.Benefits of Using Leadwerks as a Game Engine.Create Games Without Mastering a Conding Language.Endless Possibilities as a Gaming Engine.Understanding Amazon’s Lumberyard Engine. ![]() ![]() Here are a few things that handwriting experts look for in determining your personality Signed can reveal who you are as a person in life and even in business. Many experts believe that the way your name is A digital signature is the process by which an electronic signature is used to sign documents online. ![]() #3: What is meant by a wet, digital or electronic signature?Ī wet signature is a handwritten signature made by using a pen on hard copy paper. eSignature laws such as ESIGN and UETA in the USA, and EU Directive 1999/99/EC in Europe outlined the legal requirements of electronic signatures making them as valid as wet (handwritten) signatures on legal documents. The introduction of eSignature laws that gave legal weight to electronic signatures are what adds meaning to them. ![]() #2: How can eSignatures or digital signatures mean anything? This ensures that if anything changes in the contract, for example, someone changing a clause from "I will pay $1000" to "I will pay $100", the change in the file will record and be spotted. When you electronically sign a digital document or upload PDF online, the signed PDF file needs to be tied to the electronic signatures itself.The certificate then becomes a digital version of you. In addition, digital certificates are issued by certificate authorities (CA) CA's check who you are when they issue the certificate. For example, in the ApproveMe eSignature platform, we use a digital certificate to prove that the person who will sign PDF document is who they say they are. To be fully lawful, there must be a method to verify that the inputted name belongs to the person it represents. Anyone can just type a name or attach a signature picture file on a form.Just typing a name on a form and clicking submit has several issues that prevent it from being upheld in a court of law as legal documents, these are: There are many international regulations regarding online signatures, such as ESIGN and UETA, that define what constitutes a legally binding eSignature on important documents. ![]() #1: Does typing your name on a form and clicking submit hold up as a legal signature? Some of our most frequently asked questions are shown below. We often get questions about what digital signatures are and how to sign a PDF online. ![]() ![]() ![]() No more getting stuck at bottom 1200 lbs. ![]() If you get stuck at bottom you place hands on legs and push upward to recover. While squatting it helps to grasp ring in front and pull slightly toward you. ![]() When finished, walk back to stands and lower ring to supporting rack. In use, the “Magic Circle” is loaded up on the side pegs (unless you go over 700 lbs., in which case you have front and back pegs to load on), step in the circle (which is supported on side horses or boxes), lift shoulder straps onto shoulders, center straps, stand erect and walk away from stand and begin squats in normal manner. The “Magic Circle” gives a freedom for deep breathing in the popular and result-producing “Breathing Squats” for the exerciser can stand erect and breathe normally with a high lift of the chest at every breath, and is not compelled to hump over forward and breathes it the abdominal area as with a bar. It has made squatting a pleasure by removing the agonizing and sometimes paralyzing pain and discomfort of a heavy bar across the shoulders cutting into the flesh and putting pressure o the spine. The most satisfactory device yet found for doing quarter, half and full squats - for doing Hise Shoulder Shrugs and other heavy poundage exercises where weight is held on shoulders. By redistributing the weight throughout the body, the ‘Magic Circle’ promised to provide all the benefits of the back squat without the need for precision like form.įurthermore, the ‘Circle’ could be used for a variety of exercises as this 1971 advertisement for the product attests This is not a new problem either as today’s post attests.Īdapted by Peary Rader in the 1960s and promoted heavily during the 1970s through Rader’s own Ironman magazine, the ‘Magic Circle’ was advertised as a new venture for squatting enthusiasts. Owing to individual body mechanics, many individuals have found it difficult to perform the back squat with the form necessary to produce maximum development. Indeed for every man and woman who swear by the traditional squat, chances are you’ll find many more who curse it. Yet despite the fact that the back squat in particular has enjoyed a decades long dominance amongst gym rats, this does not mean that it’s position has not been challenged. A cornerstone of most trainee’s leg routines, there is certainly no doubting the exercise’s popularity. Machine washable.Loved and despised in equal measure, the squat has long been the iron game’s go to exercise for maximum leg development. The satin silk fabric is lightweight and crumple resistant. The Magic Circle Squares are a double layer of fabric sewn together to display the design on either side. ![]() The satin silk takes up no space when folded down and can be used as a production item itself.Īny of the Magic Circle Squares could be framed to make a great display piece for your magic den or collection.Įach Magic Circle Square features a design by Lee Alex which incorporates the black and white Magic Circle Zodiac emblem bordered with an art deco design inspired by the famous spiral staircase in The Magic Circle Headquarters. Ideal to use in combination with the Zombie Floating Ball, Bottle Productions, Bouquet productions etc.Ĭan be used as a regular cloth to cover stage props or a table. The top corners are supplied with hidden studs to enable the performer to display this large square the correct way up when opened. This large satin silk square can be used on the largest of stages for magic effects where a regular cloth or cover is required. "The Stage Square" - (30 inches x 30 inches / 75 cm x 75 cm) (Large) The Close- Up Square is totally un-gimmicked and can be used for close-up or cabaret effects where a regular handkerchief, napkin or silk is required. "The Close-Up Square" - (18 inches x 18 inches / 45 cm x 45 cm) (Medium) The Regular Pocket Square is not gimmicked in any way but could be used for close-up magic effects where a small silk or handkerchief is required. The perfect way to accessorise your tux or evening wear and show that you are a proud member of The Magic Circle. "The Regular Pocket Square" - (12 inches x 12 inches / 30 cm x 30 cm) (SMALL) The Magic Circle is proud to offer its members a range of satin silk squares in varying sizes: Every magician can use a handkerchief, silk, cloth, scarf, napkin or cover. ![]() ![]() ✔ MOBILE-COMPATIBLE – so you can conveniently review everywhere, anytime with your smartphone! ✔ The explanation provides an overview of the topic, reference links to AWS docs and a rationale on why the option is correct or incorrect ✔ Each question contains detailed explanations that will help you gain a deeper understanding of the AWS services. Our team has taken the latest SAA-C03 and we have already added the new concepts and services for the new exam release. The content of this practice tests reviewer is continuously updated to conform with the new SAA-C03 version. Our AWS Certified Solutions Architect practice tests are TOP-NOTCH and the CLOSEST to the actual exam, as demonstrated by over 40,000++ reviews on our course (on Udemy). These AWS Certified Solutions Architect Associate Practice Exams ( SAA-C03 ) practice tests are patterned after the latest exam format and were crafted based on the feedback of our 300,000+ students on what appeared in the actual exam.
![]() ![]() The After Effects Memory and Multiprocessing settings were as follows. This project consisted of three 1080i AVCHD videos with three iterations of Keylight and a two layers with Color Finesse color correction applied. I would still like to follow through on these tests for that 1% though. This is definitely a 1 in 100 project for me and like you said, this won't apply to 99% of users. Should I turn those layers off before running these tests or would that not have an affect on these test?Īs a preface to these tests I would like to reiterate your point that it is extremely rare that someone would have a project like this. I have some temporal effects like Rotobrush in this project. I'm going to rerun some of these tests with this project to see if even this is enough to see a difference in RAM speeds.īefore I run these tests though I do have another question. ![]() However, that being said, I have recently finished a project that has 8 iterations of Keylight amongst mamy other effects in a project that has nearly 20 nested comps (maybe 18ish) where the deepest nest is I think 4 layers deep. Now I see that the reason is simply because it is very rare to have a project where even "slow" RAM is the bottleneck due to frequently accessing the hard drive. I've seen many posts where people say, "It doesn't make that much of a difference," but no one explained why. I've searched for a while to get a straight answer on WHY RAM speed didn't matter. Thanks Mylenium, this is exactly what I've been looking for. Nothing personal, but you are obsessing over something that is completely irrelevant for 99% of all users, including highend users. You would have to use an extremely memory hungry effect like Keylight or use extremely deep nesting with about 20 nested comps inside one another to see any delay in passing the buffers (not speaking about actually calculating them), but otherwise you won't see much influence. With your recommendations I will create a new project that will be a better gauge of the affects of RAM speed and add those findings to this thread. So, my question to you all then is this, can you recommend a type of project with effects that will primarily use the RAM without having to access my SSDs? While my tests show a good "real world" example of the effects of RAM speed they do not show the full picture. Even though my SSD is capable of over 500MB/s sustained R/W it's still not even remotely close to how fast any of those RAM speeds were. However, after thinking about this for a bit I realized that this is probably due to the fact that my RAM needs to load data from and dump data to my SSD in this project. So, from my testing I found that RAM stpeed really doesn't play a large role in this situation. 5GB reserved for other programs, 2 CPUs reserved for other programs, 2GB per core. The project consisted of 6 AVCHD videos played simultaneously and some very basic effects like corner pinning and cc wire removal. Water Cooled Intel Core i7-3930K (4.3GHz OC)Ģ56GB Sata III SSD for Project Files and After Effects Disk Cacheġ6GB (4x4GB) Corsair Vengeance RAM (Stock timings are 1600MHz 8,8,8,24) ![]() Below are my findings, but first, my system specs. At least not for the type of project I tested it with. In short, my finding are that, no, it doesn't make any difference. Hello, I ran some tests today to see if RAM speed really made any difference when it comes to After Effects. ![]() ![]() ![]() Take recovery into your own hands Shop now Massage Wonders Try percussive therapy massage guns now!
![]() ![]() Boyd uses mixed media, oil and tempera, applied in loose brushstrokes and very heavy impasto which he models with his hands in some areas - perhaps because he was accustomed to handling clay in his sculptures and ceramics. Similarly, when Boyd arrived in Europe his technique became more painterly and more Expressionistic, as evidenced by the present work. The mark of the oneiric figures of Marc Chagall is particularly present, as can be clearly seen from the latter’s Bride Turning into a Windmill executed in 1960, which displays an undeniable link with the painting in the Thyssen-Bornemisza collection. The themes of love and death, often containing erotic symbols, stem from the influence of northernĮuropean Romantic painting, German Expressionism and Surrealism. On his arrival in London, Boyd’s new interest in the idea of metamorphosis altered his style and ushered in a new period of paintings with heroic and epic overtones which characterise his output during those years. ![]() This transmutation, infused with magic and dream symbols and references to classical mythology, is viewed by Franz Philipp as a metaphor with sexual connotations. Both the head and the arms, which end in huge hands, remain unchanged, whereas the legs have already been transformed into translucent wings. From amid a leafy forest emerges a female figure flying over a stream, while beginning to metamorphose into a monumental dragonfly. From 1959 to 1971 the Australian painter and sculptor Arthur Boyd lived in England, where in 1961 he painted the present Nude Turning into a Dragonfly belonging to the Museo Thyssen-Bornemisza collection, which was among the works shown in the retrospective exhibition organised by the Whitechapel Gallery in London in 1962. ![]() |